Springtime in Cookham

On a lovely spring day, I jumped into my gorgeous Fiat and headed south on the M40. Within two hours I was with my  friend and we were on a little adventure to find out more about Stanley Spencer.

Every visit to Tate Britain ends with a tour round the 1910 room and time with Spencer’s Resurrection at Cookham:

1 Easter Stanley Spencer, (English painter, 1891-1959) The Resurrection - Cookham 1924-7 (2)

The Resurrection, Cookham 1924-7 Sir Stanley Spencer 1891-1959 Presented by Lord Duveen 1927 http://www.tate.org.uk/art/work/N04239


You can never tire of this painting, set in the Churchyard of Holy Trinity Church in Cookham:

Holy Trinity, Cookham

Even in Amsterdam last week, Spencer was there:


Cookham is very beautiful and the people we encountered were very friendly.  The Gallery is small: two floors crammed with landscapes, flowers, portraits and Spencer’s unmistakable religious paintings.

We were both stuck by the star of the current show -Magnolias:


What was interesting was the way in which your attention is first drawn to the individual magnolia flowers but then your eye is drawn into the background.  Quite lovely.

We went on the Stanley Spencer walk and took in some of the sights, including the church itself.  A lovely day all round!


First trip of the year: Part One- Flat Stanley

Made a journey to Manchester Art Gallery to see Stanley Spencer: Heaven in Hell and also The Sensory War.

Resurrection Cookham

At The Tate, I now always go to the 1910 gallery as my favourite paintings are on display there.  Spencer’s Resurrection, Cookham is fascinating to see as there is always something new to spot and the scale of the piece is vast that it can be difficult to know where to start looking at this.  There is a seat opposite and it is worth taking time out just to let your eye wander through the scene.


Convoy Arriving with Wounded

Convoy Arriving with Wounded

At Mancester, I actually made a mistake in viewing Spencer after the Sensory War and the experience felt ‘flat’ – no pun intended.  However, as he concentrated on the domestic nature of his war, you could see why these large scale canvases so suited the chapel from which they have come. This one that begins the narrative was the one I found the most interesting. The convoy of wounded soldiers is forcing its way through the bushes to arrive at the gates.  The figure that appears to be hanging on the gates was interesting – was he trying to stop the gates or helping to open them?  As the hospital catered for both physical injury and mental incapacity, I did wonder if this was linked at all.  The rest of the panels explored different aspects of life at the hospital and the experiences Spencer had in Salonika during the war.

I do like his style – especially looking for the allegory within his work so I am certainly interested enough to consider a trip to Cookham to visit the gallery and to see the influence that Cookham had on Spencer.